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    <title>Mixing on Maciej Bliziński</title>
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    <copyright>&amp;copy;2026 Maciej Bliziński</copyright>
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      <title>Reference Tracks</title>
      <link>https://blizin.ski/blog/2026/reference-tracks/</link>
      <pubDate>Thu, 03 Sep 2026 15:41:07 +0100</pubDate>
      <guid>https://blizin.ski/blog/2026/reference-tracks/</guid>
      <description>&lt;p&gt;&amp;ldquo;I don&amp;rsquo;t use reference recordings anymore” - I heard that from a few sources,&#xA;most prominently from Andrew Schepps and from Zedd. I was curious, how is it&#xA;possible? Andrew Schepps’ opinion was that it’s really about recalibrating your&#xA;hearing after you’ve been focusing on details.&lt;/p&gt;&#xA;&lt;p&gt;According to Andrew you could listen to a different recording, but you could&#xA;just as well go for a walk. Meanwhile I struggled to shape a mix even with a&#xA;reference recording. I think I’m starting to get it now.&lt;/p&gt;&#xA;&lt;p&gt;The problem with reference recording is that it’s always different enough that&#xA;you can’t really compare it directly. You can compare different mixes of the&#xA;same production, and that makes a lot of sense. You can compete with someone&#xA;else’s mix or with your own earlier mix. But comparing with another tune, that’s&#xA;always doing to sound different, you will never make it sound the same.&lt;/p&gt;&#xA;&lt;p&gt;If instead you listen to enough music that you build your own idea about how&#xA;music should sound in your listening environment (room and speakers, or&#xA;headphones), then you’ll match your mix against a more generalized idea of how&#xA;this type of music should sound like. Your results will be just as good and you&#xA;won’t have the feeling of chasing your own tail.&lt;/p&gt;&#xA;&lt;p&gt;If you’re starting out, you can’t do that yet, and you do have to use reference&#xA;recordings and chase your own tail. It’ll go away over time.&lt;/p&gt;</description>
      
      
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